1/28/2024 0 Comments Reddit seekfastIn swimming locomotion, a number of questions related to swimming energetics of an organism and how the energetic quantities scale with body size remain open, largely due to the difficulties with modeling and measuring the power production and consumption. I’ll report back as I keep learning.Energy consumption is one of the primary considerations in animal locomotion. They have two other more-intense colors, but so far I haven’t needed them. The concepts are instructive.įWIW, the set I bought from them is called Essential Palette + Black, which includes 100ml tubes of Pyrrole Rubine, French Ultramarine, Burnt Umber, Cadmium Yellow, Titanium White, and Geneva Black. I recommend watching the videos on Geneva’s website. You can see how I used them through my article, “ Watching Over the Newborn Lord”. Will I only use Geneva paints? No, for many reasons, including those recounted above. Drying time is much longer, but for those projects where timing is essential, I can add driers or revert to my previous techniques. Instead of using raw throw-down on dry layers, I now work alla prima, adding wet paint layers over still-wet paint. One unplanned benefit to using Geneva paints was that they changed my technique. Thinner paints smooth out, softening edges, reducing glare and presenting a more photo-friendly surface. This can be wonderful, but those ridges can produce hot spots as highlight strokes when trying to photograph them. Thicker paints retain the texture of the bristles as the brush drags across a surface. Leveling is the ability of paint to hold the details of a stroke. All I need to do to match viscosities is add a little standar painting medium (linseed stand oil with petroleum distillate). And when I need a specific color, they work perfectly with my cache of pure colors. The colors are truly vibrant, so color mixing is not a problem. This has been a powerful time and money saver for me and drastically reduces the time I spend trying to match dried-out colors. No prep time, and the paints no longer dried out while waiting for me to find another long span of free time. I could literally come home from work, sit down at my easel, and start painting. I became a convert to Geneva’s products when, as a part-time artist only able to set aside an hour or two to paint at a time, I found their materials still workable eight days after squeezing them from the tube. Deadline-driven artists like myself normally seek fast drying paints. The paints share a consistent viscosity, more like cream than butter, a real pleasure to mix and paint with.Working with their materials improved my processes. Why? They directly addressed my concerns. I did a good bit of research and tried many manufacturers’ products before settling on Geneva’s line. Others have done that work I’d rather invest in their expertise and get going on my assignments. I knew I could mix my own oil pigments and optimize the medium for teach, but that is an expensive, smell, slow, and detailed process I’d rather not pursue. Still, there had to be a better way (Yes, I experimented with gouache and other media). Looking at master paintings comforted me a bit, because I could see that many of them faced similar problems. Mediums like linseed oil and galkyd have helped in the fight but they brought their own problems. Rather, I should say I fought with oils straight from the tube, because I regularly wrestled with painting challenges: Viscosities ranging from cold butter to syrup, drying times varying from hours to days, issues with leveling and glare, uneven final surfaces, and difficult-to-photograph results. Geneva Oil Paints transformed the way I paint.įor decades, I’ve painted with oils straight from the tube.
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